Three Sisters, Three Portraits
While I was in Dallas for the holidays last month, I was able to break away from taking the typical Christmas day photos and make some portraits of some of my family members. Alas, I didn’t get a chance to work with everyone, but of among those I did manage to shoot were my sister Joli’s daughters.
The oldest of the set is Brittany, a senior in college. I caught her in a room that was filled with huge soft window light coming in through a patio door. It’s the kind of light you wish you could have at your disposal all of the time. It’s the sort of light that lets you take a photograph straight out of the camera, crop it, and show it off. The only trick is convincing your subject to give you a great expression.
The middle of the set is Rebecca, a senior in high school and off to college next year. Here she was in a rare bit of quiet right in the middle of the mayhem that was the living room where presents were being opened. The living room wasn’t filled with great light—far from it. But there was certainly enough to work with. I treated this photograph quite differently than the one of her older sister. Something about the mood of it makes the split-tone work for me.
The youngest is Bella. She’s just over a year old and cute as a button. I caught her as she was waving good-bye to people that were heading out the door. The light here was all sorts of wonky mixed low-voltage tungsten and when I corrected the color, I couldn’t find a balance that really let her eyes shine. Going to B/W took care of that and lets the quality of the light speak more than the color of it. Those eyes!
Some part of me wishes I had a consistency of treatment between the three sisters. On the other hand, they are three very different people and I captured them in three different situations. The only thing that’s really missing is a good shot of their brother. Unfortunately, he didn’t get to spend much time with us and I didn’t get a good portrait of him made. There’s something about boys and young men either running away from the camera or making funny faces all of the time. Next time.




9 Comments
Beautiful subjects beautifully captured. I like the different treatments.
Reply to this comment
Were these all from your Nikon? What lens were you using?
Reply to this comment
Yes, all from the Nikon D700. And all using the new AF-S 50mm f1:1.4 G. It's a lovely combination to work with.
Reply to this comment
Nice DoF with f/1.4! Well done!
Reply to this comment
Do you find you are using the Auto ISO much? I never did so with previous cameras but find the D700's high ISO images are so usable that I'm happy to set the actual aperture/speed combo that I want and leave the camera to look after the ISO (at least up to 3200).
Reply to this comment
John, I don't actually use auto ISO at all. Don't get me wrong, I think it's a great feature and I should look into playing with it more. It’s just that I haven't worked it into my repertoire for whatever reason. I think I've spent so much time shooting in variable light conditions that I've pretty well trained myself to look at ISO in the viewfinder the same way that I look at aperture and shutter speed. But yes, I should experiment with it because, indeed, this camera gives impressive results all the way up to 3200.
Reply to this comment
God, don't you love photographing children. The eye/face ratio...can not beat it.
Correct me if I'm wrong, ISO would be a last choice to get the light you want. I guess noise is ok at 3200 with that camera.
very nice Duncan,
R.W.
Reply to this comment
I should clarify. These are at ISO 1600. But I the camera does do OK at 3200. At 6400, it's still good for B/W conversions.
Reply to this comment
somehow Becca disappeared. It was a great shot, too.
Reply to this comment
Leave a comment