Dear Speakers

Last week, while shooting eComm 2009 in Burlingame, I started posting a set of thoughts on Twitter, all starting out Dear Speaker. Getting up on stage and speaking is a difficult and demanding thing to do. It’s natural to be nervous and for that nervousness to show. It’s also hard to know how what you are doing up there on stage is perceived by the audience. There are things that speakers do that feel good to them, but which are not actually great for the audience. In any case, for whatever reason, I started posting my thoughts. I wasn’t making these comments about any particular speaker’s performance. Instead, they were more an outpouring of ideas I’ve wanted to get out there. Here’s a recap.

Malcolm Matson, OPLAN Foundation, on stage at eComm2009
Malcolm Matson, OPLAN Foundation, on stage at eComm2009 / ©2009 James Duncan Davidson

Please deliver your speech to the crowd, not the screen. This was my first tweet of the series and was inspired by having seen just a few too many people stand on stage turned one way or another and talking to the screen. A couple of the speakers that day spent all of their time talking to either the left or right side of the room and never addressed the audience. Your slides aren’t the recipient of your presentation. Your audience is. Face them. Address them.

Please pick a spot and stay. Move deliberately to another. Don't pace aimlessly. And please don't turn all the way around. This was directed at those speakers that pace from one end of the stage and back to the other at rather high speed. From the audience perspective, a speaker like this looks like a caged animal. Back and forth. Back and forth. Never resting. Sometimes, speakers will go so far as to turn their back on the audience as they shift direction. I’ve even seen speakers pull a 360 spin off a few times. This just says to everyone in the room that you feel trapped up there. That you don’t want to be there. And, if you’re telling the audience that you don’t want to be there with your body language, you’re not helping your words get through to them very much, are you?

To be absolutely clear, Twitter’s 140 character limit required a bit more force to this statement than I’d otherwise want to convey. I don’t mean “pick a spot and stay there the entire talk”. Instead, I mean “pick a spot and stay there for a bit, then move deliberately to another spot”.

Attendees in the audience at eComm2009
Attendees in the audience at eComm2009 / ©2009 James Duncan Davidson

Please take off your name tag. This is self explanatory enough. If you wear your name tag on stage, you make my life easier for captioning. But, you don’t look as good in your photos or on video with a dork tag hanging around your neck. Don’t make my life any easier on this front.

If you find yourself walking _backwards_, you are probably pacing very vigorously. Stop. Breathe. There were a couple of speakers that were pacing so hard they didn’t even bother to turn around. They just reversed direction and backpedaled. That’s a sure sign you just are feeling like you have to move too much. This can also be dangerous. Stages have edges. You don’t want to go off the edge of one.

If you don't make eye contact with your audience, you make it that much harder for them to connect to your message. You want your audience to connect with what you are saying, right? Then make them feel like you are addressing them. Obviously, there are many people in the audience and you can’t look at all of them at once. The good news is that you don’t have to. If you pick a few people in various places of the audience and lock eye contact with them, everyone else around them will feel that. It works. If it helps, you can lock eyes with friendly people that you know in the audience. Don’t have any friends out there? You can make some talking to a few people before you go up on stage. Then, when you make eye contact with them, you are making eye contact with the audience and connecting with them.

Shai Berger (Fōnolo) on stage at eComm2009
Shai Berger (Fōnolo) on stage at eComm2009 / ©2009 James Duncan Davidson

The corner of the stage that you like to use to feel closer to the crowd is darker than rest of stage. They can see you less there. I used to do this all the time as a speaker. I wanted to get right up to the audience. But, stage lighting typically tapers towards the front of the stage so that it doesn’t illuminate those first few rows too much. It tapers off more in the corners. The result, on many stages when you stand in the corners, there’s 1/2 or a 1/4 as much light on you as when you stand in the middle of the stage a few feet back from the edge. While you may feel more connected to the audience by being out there on the edge, you may be making it hard for them to see you, and therefore connect with you. Stay in the lit part of the stage so that they can see you more easily. And, unless there’s a follow spot on you, don’t jump off and wander up and down the aisles. It’s a lot less cool when you don’t have a spotlight on you.

If you are being videotaped, all of what I've just said matters 10x more. Think of viewers watching a rapidly pacing speaker. Self explanatory. This obviously applies to photography to a large degree as well. If you’re rapidly pacing and never pick a spot to deliver your presentation from, I’m going to have a hard time making a sharp photograph of you. Again, you shouldn’t be concerned with making my job too easy. On the other hand, you shouldn’t make it hard on the photographers and videographers that are trying to capture your image. If you want to look good on stage, don’t pace! Pick a spot. Stay there for a while. If you feel like moving, do so by picking another spot and going there. Then stay there for a bit.

Attendees in the audience at eComm2009
Attendees in the audience at eComm2009 / ©2009 James Duncan Davidson

Rule of thumb for speaker clothing: Dress like you mean it. ~0 to 1 levels above mean “nice” for audience. Obviously, you should wear clothes that you are comfortable in on stage. But, you shouldn’t look like a slob or bum up there. If you are talking to an audience full of people wearing suits, don’t show up in a t-shirt. On the other hand, you shouldn’t show up in a tuxedo for an Open Source conference. You know who is in your audience, right? Dress at their level or maybe a level or two above it.

When on a panel, don't look at your shoes. Try to look at who’s talking. Otherwise, you look bored, even if you're not. I can’t tell you the number of bad photographs of panels I have because some of the panelists look like they are sleeping or bored up there. I’ve seen people gaze at their shoes or stare off into the ceiling. It’s unfortunate that sometimes people stare off into space when they really are paying attention. But it doesn’t look that way when you are on stage. If you look sleepy, bored, or just plain disconnected to me as a photographer, you look the same way to the audience up there. Be engaged in the subject. Look at the person speaking. Pay attention and you’ll look better up there. Smarter, even.

Doc Searls on stage at eComm2009
Doc Searls on stage at eComm2009 / ©2009 James Duncan Davidson

That was my last twit on the subject that day. At some point, I ran out of thoughts and just went back to making photographs. Obviously, there is so much more that could be said. And much better formats than just a simple list of twits. But, for now, maybe this will help a few speakers better deliver their message. And, most of all you should remember that your audience wants you to succeed. They’re there to listen to you. Help ’em out a bit and everyone will be happier, including you.

Finally, it should be obvious but I’ll say it anyway. Malcom, Shai, and Doc (pictured above) gave great presentations. I’m including their photos here as positive illustrations, not negative. Although Malcom should have taken that badge off. :)

Related Links

This is one of 187 blog posts on duncandavidson.com. If you care to read more, two posts I recommend are Dear Speakers, a set of thoughts for public speakers that I pulled together in March, 2009 and Tilting at the Windmill, One Last Time, a call to Flickr to include important EXIF and ITPC metadata in the photographs they provide to the public.

75 Comments

"Please pick a spot and stay. Move deliberately to another. Don't pace aimlessly. And please don't turn all the way around." Okay I agree. However I once I saw a speaker who was very dynamic and interactive he did move around and pace yet from the beginning of the talk he acknowledged his tendency to do that during his speeches. It immediately became a non-issue because he basically stated "hey this is how I do things" and we accepted it enough to move on and listen to his speech.

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Slow down generally is a good one too, I think. The greater the number of people in the audience, the slower you seem to need to talk.

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Great suggestions. I think I'll use this list, with your permission of course, as guidelines for my clients. Also, I have to try and follow the no-pacing rule myself -- I know I tend to walk back and forth a lot when I speak.

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I actually consider moving around a good thing: it gives a little variety to everyone. And movement can actually stress what you are saying: backing up, changing sides etc. have a metaphoric meaning as well.

Movement also helps keeping an audience awake :-) Start slowly walking around them to their back. They might be pissed, but the will wake up.

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@adeah - There are always going to be exceptions to the rule. Most novice speakers would benefit to stick to these rules like the Bible until they become more accomplished.

Great list. I am printing it out and posting it in my office tomorrow.

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Possible case in point for wild pacing? Clifford Stole:

http://www.youtube.com/watch?v=Gj8IA6xOpSk&eurl

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guess these can be useful for anyone who wants to learn how to deliver good presentation.

thanks for these.

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Can't agree more with the eye contact.

Also, typically the crowd wants to connect and wants you to do a good job, sometimes you just need to remind yourself of this when you're speaking. Which leads back to your first point...

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Dear Blogger: Please spell check your postings. Postings with misspelled words allows your readers to conclude that you're either technically incompetent, don't respect the reader, or lazy...

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Nice advcice. Thanks man.

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Great tips! I've done a fair amount of public speaking and was a teacher for a while and one thing I always tell people is energy. The more you can consciously be aware of your energy and keep it at a high level, the more you can keep your audience engaged. There are many other factors, of course, but a good, positive, energetic state can go a long way...

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rules are made to be broken... the best ones are creative, vibrant and connect using their own persona and charisma... following generic rules can be good as a base, but if followed to the T, the artificiality of it would show!

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I wanted to comment on the pacing as well. I agree that too much is distracting, especially if vigorous. However, a past professor of mine, quite a charming speaker, pointed out that moving around keeps the audience engaged and active because they have to follow you. His own dynamism was a key part of keeping those undergrads interested and awake.

Of course, this works better with a relaxed amble, well fleshed out with pauses, than a rapid stalk.

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These are very good recommendations. Might I offer a few more?

1. Speak slowly

Sometimes we are not always aware of how the speed and pacing affects an audience's ability to really comprehend what we're saying. The faster we speak, the less likely we will communicate what we want to them. Take a deep breath and slow down.

2. Avoid nervous verbal tics.

An audience will have difficulty focusing on the substance of your presentation if you punctuate all of your sentences with "um," "eh" and/or other verbal tics--I often begin counting the number of times they repeat the tic rather than concentrating on the speech itself. We often repeat these things without even being aware of it, and most speakers have to consciously work to eliminate these tics from their speaking voice. It makes a huge difference, however, for those who do.

I'm sure more accomplished speakers have many more suggestions!

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I agree about not pacing. I think that watching a speaker prowl up and down and back and forth along a stage too much just distracts from the content they're there to impart. I don't mind if you stand at a lectern to talk to me, just make it interesting.

I think that the example of a speaker saying "hey, I walk about a lot, that's just how I roll" is a little risky. If he'd said, "y'know, sometimes I like to do my talks in French, that's just how I do things" then suddenly the whole point of turning up to the talk is a bit ruined. Asking doesn't guarantee it'll go over to the crowd.

People are generally ok accepting something they're politely asked to do but there is a limit and it's hard to tell what the line will be until you step over it and lose the audience. You could just be unlucky ad get an audience that is just before lunch and hungry or got caught in traffic/the rain before you met them, they could be grumpy. Asking rather than expecting "that's what I'm gonna do, k?" is always better. Politeness is king.

Also, I'm always concerned that "dynamic" speakers are going to shout and jump and pace and point and gesture so much they'll forget that content is nice too. Motivational speakers can be very bad with this - effectively they're sometimes paid to stretch one or two central points into perhaps a whole day of talks and that can be hard for even the best speaker. It's not acceptable, to me at least, to excuse other flaws in presentation technique with the handwaving excuse of "I'm a dynamic speaker". It's a word with a wonderful intention that's a little too easily subverted by people who aren't as good as they think.

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You should have mentioned the abomination of laser pointers:

1) Circling each word endlessly while talking about it.

2) Pointing to each word as it is read (and reads every single word).

3) Vibrating the spot because the speaker is too nervous or has had too much caffeine or the screen is too far away.

4) Using the wrong end of the laser pointer.

5) Having weak batteries in the pointer

Basically, if you need to use a laser pointer more than a few times during your talk, then you are probably using the laser pointer as a crutch. Simplify your slides so that the central point is obvious. Think about TV and film and how they achieve focus without using a pointing device.

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I'm in Toastmasters and know your advice to be spot on. Great reminders for me, too, as I am competing on the district level for Best International Speech. Thank you!
Rita

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You've inspired me to write a similar post:

http://egofood.blogspot.com/2009/03/want-to-be-better-speaker.html

In which I give tips on how to be a much better speaker.

Chris

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Clare, slowing down is a great thing to do. A short 10 second pause can feel like an eternity to the speaker, but can give an audience just enough time to absorb a few things that you just said.

Also, there's never anything wrong with taking a 5 second pause to take a sip of water. Nobody will ever hold that against you if you need it. Just don't carry the water bottle around in your hand for the rest of the presentation. :)

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Wellington, of course I don't mind you using this list. Spread it around!

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Great comments. I would also suggest that since all the TED speakers are so wonderfully passionate about their work, they invest a little time in improving their presentation skills if they are not as strong as they could be. Toastmasters is a world wide organization which has helped many people become better presenters. The cost is nominal and the process is self structured. Tom Peters and Debbi Fields are two of the more famous alumni.

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Felix, certainly it's not a bad thing to move around. Staying in exactly one spot during the entire presentation can verge on boring as well. But, when you move, I'd suggest moving deliberately. For example, there's nothing wrong with having three spots you "own" on stage, spending a minute or two, in each spot and then moving to the next. That helps keep things active and helps keep you addressing a different part of the audience.

But pacing isn't just moving around. It's different.

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Dario, I think Clifford is the exception that proves the point. Clifford's stage presence communicates that he's has so many things to talk about and is so damn excited to be there that he can't contain himself. It's an entirely different league than the majority of stage pacers who are communicating the same feeling as an animal stuck in a cage.

I know of only a few people that can effectively pull off that kind of thing. It's definitely a pro move.

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Dear Commenter (Tom), I found the grand total of 2 misspelled words this morning and have corrected. Lazy? I probably deserve that. I do keep the little red squiggly underline checking on while writing and somehow these slipped by me. Not respecting the reader? Ok, not holding up my part of the deal by not re-running spell check and making sure it's all perfect before I post could lead to that. Sure. I'll grant that. I should make sure my content is the highest quality I can make it if I expect you to read it. But, technically incompetent? I'm not sure I see that one with an 0.2% misspelling rate. Unless of course, that was just a touch of hyperbole as humor. :)

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Ben, having energy is totally spot on. If you having a low energy day, your audience will sense that. Higher energy certainly helps. Tho, that's not to say that one should drink three cups of coffee and a PowerBar right before getting on stage! :)

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Ringlerun, of course. I wouldn't really call these rules. Just comments, guidelines, things to think about. Every speaker will have their own style and approach. On the other hand, most of these things I've said—such as speaking to the screen and staring at shoes while sitting on a panel—won't work for anyone well.

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Dylan, indeed. I think the key is that if you're going to be dynamic on stage, be deliberate about it. And focus that dynamism on the audience. Don't just burn it up in nervousness.

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Stand and Deliver!

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Poxy, laser pointers are definitely in the ick category. My opinion is that if you have a dense enough slide you need to pick out something with a pointer, you probably should think about re-factoring your slide so that what you are trying to call out is properly called out.

I have seen a few speakers effectively use manual pointers—such as Al Gore and the lift in "An Inconvenient Truth", but that's a whole different level of theatric effect. :)

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David, great additions! Thanks! You're spot on.

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Chris, awesome follow on! Thanks! I'm linking to it at the end of the post.

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This is great advice. Thanks.

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Great expansion on your twitter notes (which I posted a few days ago.) Great photos of eComm too.

- Phil Wolff

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Don't pace. Wear nice clothes. Speak slowly. Must all communication constantly cater to the lowest common denominator?

How about a blog post on how to stop being a superficial nitpicking audience member? How about a post on how we can all work a bit harder as listeners to overcome our weaknesses. If we are so easily distracted by these superficial things, perhaps it's time for us to focus. The day I pay more attention to a man because of his tie is the day I need someone to set me straight-

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I also agree. Pacing non stop can be distracting, but for extraverts like myself with short attention spans colour and movement is essential. Many speakers who have moved gently around the stage manage to keep my attention on them.

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Great list. I'd like to add: "Dear Speaker, do not read." Of course, speakers at TED are savvy enough to deliver a talk rather than to read a paper. But speakers at other venues often make the mistake of writing a speech & then reading it - which is a great way to put an audience to sleep. Better to know your main points and speak to us directly.

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Yes! I am a speech coach and I have to work very hard with my students on this point! Walk with purpose, and once you get where you're going, STOP! Walking during transitions can be especially effective, a nonverbal cue of "now we're shifting gears, come along with me."

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"If you don't make eye contact with your audience, you make it that much harder for the to connect to your message."

"the".. its "them"

Typo there. Do the honors!

Cheerio

Sam

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I would also add: watch one or two of the Apple presentations by Steve Jobs for inspiration.

There's someone who knows how to hook an audience, keep them engaged, and the use of "One more thing..."

Certainly, he follows a lot of the tips you mention. It also doesn't hurt to have great products to talk about.

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Thanks for saying what most audience members have been thinking. These are practical suggestions, Duncan.

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Sam, thanks. Sorted :)

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Lots of good points on how to avoid distracting one's listeners from the point, but little on how to actually get a point across.

I'm dyslexic, I found learning from books hard, but did well from most lectures. I've realised that the lectures I learned most from used techniques that go all the way back to medieval times; techniques that engage the listener.

1: Q&A. Pose your point as a question; i.e. ask for listener engagement. Pause, then answer the question. This makes the point stick in the listener's skull.

2: Explain your point three times, each time from a different perspective. Not everyone understands and learns the same way so the different perspectives let everyone have a shot at comprehension - and regardless of which of the 3 explanations the bulb flashed on in their heads the listener takes in all 3 afterwards. This method deepens understanding because a single perspective explanation also builds a "box" to think in, but a multiple perspective explanation avoids this trap.

3: Engage the listeners both intellectually and emotionally. A speaker should be passionate about their topic, aware of and openly sharing their bias. This is the difference between a Presentational speaker and a Representational speaker. The listener almost always takes more away from the later than the former.

4: If you must walk, use the walking to illustrate the point. Walking during transitions has been mentioned already, but another powerful tool that works on western audiences (we learn this from reading left to right) is past walk and future walk. If you're talking about the past, or the way things used to be, walk to the listener's left (stage right) and if you're taking about the future or how things could/will change, walk to the listener's right (stage left).

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I really enjoyed this. I'm actually trying to develop a speaker training program for our staff or writers and editors, and this will be the perfect supporting material. Thanks so much for writing this.

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Wow-good-engagement,Speakers! All of the above plus the engagement of your innersef with your physical body equals the sum total for the bridge between you and the audience.
Gil R-Resto

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Great list. Will keep it on hand for future reference and reminder. I notice a lot of attention being paid to the movement on stage, but my biggest gripe is with your first point. I can't tell you how many presentations, from small to large, I've seen where the presenter basically created his speaking notes into Powerpoint slides. This is a very dangerous habit, it keeps everyone reading and not listening. It also encourages the presenter to refer back to their "notes" by reading from the screen behind them. The best presentations are those where the slides integrate or support an argument, not where they outline it.

As someone else suggested, look at the Apple presentations, or better yet many of the best TED presentations -- not a list to be found on screen.

Thanks again,
Randy

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I taught and guest lectured at colleges and museums for almost 30 yrs., but am now disability-retired. At a recent event, I discovered both how out-of-practice I'd become and the extent to which you never forget how to ride a bicycle. There was no water on the podium and I was really parched because of the meds I take. I sensed a wave of panic approaching as I started getting hoarse. Then my inner problem-solver told me to pause, softly clear my throat, and engage my salivary glands. It worked! And I simply repeated this as needed throughout the talk. Afterward, I wanted to kick myself, however, for forgetting a cardinal rule of public speaking. Like most folks, when I get nervous my voice goes up a few octaves into Minnie Mouse territory. The solution, I learned in my high school speech club, is to breath from the diaphragm.

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Like others, as a speaker I disagree with the "please pick a spot and stay" bit.

Unless required by videotaping for example, I will purposely move at regular intervals during my talks, to help people stay awake or to emphasize section changes or "dramatic" parts of the talk.

I see your point about looking like a caged animal though, will try to avoid that ;-)

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What you say is right on. But the best way to do this is to actually get some help. I took a course from a company called Paulsen Productions and was so impressed with them and their techniques that I even took the time to write them a thank you letter for what they did. The staff was amazing in what they accomplish in just two days. It was like a boot camp for executives, but very, very refreshing and eye opening to have somone with a well trained eye tell me everything I was doing wrong - and then fix me!

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The best thing you can bring to your presentation is passion for the topic at hand - if it's in you, it will come out loud and clear and engage all the folks in the audience!

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Rehearse the whole thing to a mirror when you think you are done, then go back and make all the changes you'll find doing this.

great notes Duncan and great comments

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I have a different opinion about several of your comments. For example, moving with high energy on stage is essential to good communication. A speech is not designed for film. We film them, yes; but the medium is not designed for film/video/digital. They never work well in that medium. That's one reason even Broadway plays filmed look staged and contrived. Direction for film is entirely different. Working with a live audience is completely different. True, genuine pacing is distracting, as is any movement that is completely disconnected from content. On the other hand, having a speaker stand perfectly still during anything that lasts more than 10 seconds is so boring no one in the audience can stand it. It might be convenient for a videographer, but it is hell for an audience.

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Bertrand, I don't advocate sticking in one spot for the entire speech. Nor do I think that hanging at the podium for dear life looks good either. I do agree that moving about during a presentation is effective. But what I'm trying to say is that constant nervous pacing is not effective. That's all.

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Alex, I think moving with high energy is fine, as long as it's not high nervous energy. Move with purposeful energy. An experienced speaker can use movement to a very high degree of effect—knowing when to punctuate with movement, and when to punctuate with silence. As I said, I'm more concerned with the caged animal pacers here with the comments above.

Also, while speeches aren’t designed for film, increasingly a major number of great speeches are viewed by video. Check out TED’s video archive. More people have watched TEDtalks online than have ever seen them in person. So, if you're in a situation that's being recorded, it's important to be aware of it. After all, 100-1000 people may be in the room. 10,000-100,000 may see you on video. It does change the dynamic a bit and should be considered.

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Great comments and I want to add another thought. If you plan on speaking in situation where you want to come off well, arrange to video tape a practice presentation.

It is the worst thing in the world to watch your recurring tics and bad posture and stage traveling and staring down and mumbling and crumply clothes, etc. etc.

Scared straight.

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Nice tips, although I have to quibble with your comment about dress code. I don't wear a suit on stage because I only wear suits at weddings and funerals. If you choose to pay more attention to my state of dress than my presentation, then I don't care about whether I reach you with my words.

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Really good summary. I will try to think on it while doing the next talk ;-)

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Great, thanks. Also, I didn't notice the first time through the article that the photos are yours. That's some great work -- capturing people and making them look good is no easy task.

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What a great post! I'm putting together a speech/presentation for a small group soon, and I'm definitely going to keep all these tips in mind.

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Cliff is a crazily an energetic speaker, but for him, it works, because 1) he's a good enough speaker to pull it off, and 2) it fits with how he presents information. In fact it seems to fit with who he is overall.

You can't fake Cliff's kind of energy and connection with a crowd, and you can't run around like that on stage and expect people to follow you unless you're already good at public speaking. Cliff's overabundance of energy only works in some kinds of audiences, too.

I remember his ApacheCon US 2006 keynote well: "Chocolate milk!" I found it inspiring and informative - it made you think about things in a different way - but I know some people were put off by it.

Excellent tips, and nicely setoff by your photos as well. Wish we could get you to shoot ApacheCon sometime!

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Great post! As speakers, we have an obligation to keep our audience engaged.

To the guy who said the audience is too lazy - sorry buddy, it's just doesn't work that way. We have to always show respect to the audience and make sure we're passionately sharing our expertise and authenticity.

Thanks for some awesome tips.

Gary

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Thanks James. At Confreaks, we frequently film speakers with the mistaken idea that pacing during your talk makes you seem more comfortable. What they don't understand is that all gestures are relative to one another. If all you have done is move your hands a little, then waving your arms is sufficient to attract the attention of your audience. In general, more subtle motion is better, and it certainly makes it easier for us to record you a lot better.

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Excellent comments. I'll certainly take them into account. I posted about 19 offensive presentation techniques which will add value to this conversation: http://visionadvancement.wordpress.com/2009/03/05/19-offensive-presentation-techniques/

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J. B., oh, I didn't say anything about wearing a suit at all, only dressing to the level of your audience. I've seen way too many people show up and talk to people in suits wearing a crummy icky t-shirt. Unless the speaker is bloody freaking brilliant, it won't work. So, if you do speak to a bunch of suits, well, I wouldn't say wear a suit. But do dress accordingly in a way that is both comfortable to you and to your environment.

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What are your thoughts on deliberate pauses?

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Stephan, I think deliberate pauses can be effective. Depends on how they are used and the like, but they can be a very useful tool.

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First off, good luck Rita from a fellow Toastmaster :)

Saw a lot of comments in the thread about "pacing on stage". Mostley either agreeing or providing a counter-argument. Maybe a better way of phrasing the advice would be "control your stage movements".

The point is, how you move on stage, like it or not, is part of your communication. If, for example, your telling a story and you want to convey "frenetic" or "agitated", pacing could be a good thing. Alternatively, if you're working on a large stage to a large audience, giving yourself "zones" to deliberately move between can help keep the entire audience engaged...or, if you're presenting an award, maybe just stay behind the lectern.

Point is, in all cases, the speaker determines and controls how he wants to communicate through his movement (or lack of it). That is, stage movement that is part of the overall presentation is fine...it's the manifistation of nervous energy that we seek to control, and this control usually comes as you gain experience in public speaking.

One of the best ways, I think, to gain this experience is through Toastmasters International.

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If all you can do is comment on spelling errors, then I can only conclude you live a very small life, and look for the negative in most interactions. If you can't say anything nice or at the very least constructive, then keep your opinion to yourself. I found this posting very interesting and informative!

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thanks for sharing your valuable voice of experience tips. My husband is a politician in Bermuda and i will share with him and his colleagues.

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Hmmm...I took my badge off and the conference organizer forced me to wear it :-/

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Your comments like your photos are right on the button!

I am still using on my profiles the photos you took of me at Etel 07.
Keep up the great work!

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Great article and really good points. Much easier to understand than to actually do it all correctly but practice makes perfect.

I always feel it's better to get up on the stage and go for it. The worse that can happen is that you will get good practice and do it better next time.

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Good points ... and I really like the photos, I can see why you ended up in your current profession :-)

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A niche tip for those whose presentations include demonstrations, notably computer-based.

Be prepared for things to go wrong.

In more than just the obvious ways. If you're writing code or somesuch on stage, of course you should have a working version ready to show should something go awry. But more than that, you should be mentally prepared and not get flustered if you make a mistake.

The audience is generally on your side. They want to see what you have to show, and they want you to get it right. But you have at the most 30 seconds to get it right, thereafter sympathy wanes...

If something fails, you have three good choices and one awful scenario. The first two are "easy", but the second can turn into the third, and the third can turn into the fourth. You can:

1. Bail straight away, explaining what should have happened.
2. Fix it immediately and continue.
3. Spend a few seconds trying to diagnose the problem, then either fix it or bail depending on the outcome.
If you choose this option, it may be helpful to tell the audience what you're going to do ("Please bear with me for a few moments whilst I try to fix this -- if I can't fix it quickly we'll move on") or to use it as an opportunity for adding value -- talk through your debugging procedure.
4. Futz around for over 30 seconds ignoring the audience and muttering about how this has always worked before.

Very occasionally, presenters can spend a long time fixing a problem and receive a warm reception when the demo finally works. Typically, however, you simply frustrate the audience.

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next year when I'm giving my speech at #tedindia i'll be sure to use these tips;)
thanks!!
alexandra copley

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An excellent thread. Any comments / thoughts on the use of cues? In the past I have used binders with doubled sided pages and very large print for cues as to what comes next (and when to advance the slides). Pausing to flip the page is a conscious effort, helps set the pace. Lately I've been using the presenter's notes in Apple's Keynote product (again, large font for brief points to keep me on track vs. wandering off). Pausing to sip some water gives me a chance to check the screen for any key items I may have skipped (and rehydrate of course).

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