It Takes a Team to Photograph a TED

I’ve talked a bit about what it was like to be the main stage photographer at TEDGlobal 2009, but there’s a lot more to getting the job done than just showing up, snapping pics, and posting them. In the case of both TED events I’ve worked on—TED 2009 in Long Beach and TEDGlobal 2009 in Oxford—it’s taken a team of talented and dedicated people to get the job done

For starters, at TEDGlobal 2009, there were two primary photographers. I was on the hook for covering the main stage. Equally important, however, was the work that Robert Leslie did shooting everything that happened outside the main room, including the social events, parties, and the atmosphere around TED. Both of us blurred these lines a bit. Robert shot some in the main room when big things were happening, such as the Prime Minister’s appearance. I shot some coverage of the parties. But, for the most part, this divide and conquer approach worked well to bring you complete coverage of the event through the TED Conference Flickr stream.

I should stress that neither Robert or I were “primary” or “secondary” shooters in terms of a pecking order. We both had our zones of responsibility and we both tackled the jobs at hand. When we were in the same area, we even tended to make sure we were taking different angles so that if something happened, at least one of us would be in a good position. It was a great way to work.

robert_leslie.jpg
Robert Leslie in the halls at TED 2007 • leslieimage.com

Robert and I spent all of our time either shooting, moving to the next event to shoot, or trying to eat a bite as we zipped off to wherever we were needed next. The good news is that we didn’t have to deal with the hundreds of Gigabytes of image data we created. Instead, we handed our cards off to the media team who had a fleet of machines setup to deal with our output. For time critical photos, we had Karen Eng, to quickly zip photos from wherever we were to the media room and get them ingested into the workflow. For slower priority photos, we’d drop cards off as they filled up, typically when we were also looking for a bite to eat.

D72_2056.jpg
Karen Eng at the closing event at TEDGlobal 2009 • TED/James Duncan Davidson

Karen wasn’t just the bit of glue that kept cards moving smoothly between the media room and Robert and I. She also communicated valuable bits of information back and forth, helping to keep things coordinated. For example, when there were important times to get photos back to the media room, she’d let us know when those were. She also provided helpful status updates to the question—always on my mind—of how well the photographs I was delivering were meeting expectations and needs. Throughout, she kept things light and fun with great banter while making sure to keep an eye on the things that I couldn’t.

D72_4696.jpg
Mike Femia in the Media Room at TEDGlobal 2009 • TED/James Duncan Davidson

Once the photos were delivered to the media room and ingested, our photo editor Mike Femia took over. Seated at his workstation with a huge 30" screen and wielding Photo Mechanic, he split out the incoming files into appropriate groups, applied captions, and then sorted out selects to push to all of the various places they needed to end up. One of these destination was the Flickr stream. Another was the TED Blog, which needed fresh photos to illustrate their coverage of the event. For example, here’s a shot of William Kamkwamba as it appears on the blog:

tedblog.png

Simply splitting photos and pipelining them between Flickr and internal users is tricky enough. But, there was a very important third destination for our photographs: the global news organizations. As part of the workflow, Mike was also sending out images to a site where various news organizations would pick them up and run with their stories about TEDGlobal. Here’s a shot of the same image from above of William Kamkwamba as it appeared on the BBC website:

tedbbc.png

Let me tell you, I’ve seen my fair share of workflows and this one is right up there at the top as far as all the requirements pulling at it. Public web distribution via Flickr, team blog support, and news distribution. I wish I could say that some single tool just made this easy, but when it’s at this level, it’s not about tools anymore. It’s about having all the right people in play. The guy who made sure to keep all of use co-ordinated and running smoothly, while at the same time working with the video team, was Michael Glass.

D72_4690.jpg
Michael Glass in the Media Room at TEDGlobal 2009 • TED/James Duncan Davidson

For most of the conferences I shoot, I’m working solo and juggling the responsibilities of photographer, photo editor, and publisher. But for a TED conference, there’s no way that would work. It took all five of us—Michael, Mike, Karen, Robert, and myself—operating within the much larger group of people putting on the conference to cover things. Even so, at the end of four days of non-stop photo creation and pipelining, we were all smooshed. It took giving it all we had to get things done. It was one hell of a team. I was honored to be a part of it, and I can only hope to do it again!

This is one of 187 blog posts on duncandavidson.com. If you care to read more, two posts I recommend are Dear Speakers, a set of thoughts for public speakers that I pulled together in March, 2009 and Tilting at the Windmill, One Last Time, a call to Flickr to include important EXIF and ITPC metadata in the photographs they provide to the public.

9 Comments

Great work fella - it's amazing the human talent and manpower that's still required in digital production :)

user-pic

Thank you Duncan! Amazing work you -- and the rest of the team -- have been doing at TEDGlobal. B-

user-pic

You guys rocked on site Duncan - and the team was awesome ! Onwards ! - K

user-pic

Bruno and Katherine, thanks so much! It was a joy and a pleasure to work with you. Onward, indeed!

user-pic

Awesome post! Did you and Robert get to compare notes on how his 5D MkII and Canon glass held up to your D700 kit? :)

user-pic

Trekker, Robert and I didn't get nearly enough time to hang out and chit chat about too many things, but I was really digging what Robert was doing with the 5Dmk2 with some of his primes (I'm a sucker for the 85/1.2) and I know he liked what he was seeing out of the D700. The biggest thing we noticed was the differences in noise. His Canon 5Dmk2 has a much more reserved shutter in the auditorium than the D700.

I'm so looking forward to a dual-mode "quiet" shutter in an upcoming D700. Other than that, I was happy as a peach.

user-pic

There is nothing like a good team, congratulation guys!

user-pic

Thanks Duncan. Good post and excellent pics. You're so right about needing a good plan and a clear allocation of responsibilities.

user-pic

Wow! Congrats James on TED. To think I knew you when you were just a java dude. ;)

user-pic

Leave a comment